Often when listening closer to Dave or Brad, their voice mimics that somewhat.
Brad at one time liked to use various other mnemonic syllables to express that flow and accent. Singing or diddling along with tunes, with all that articulated detail, feel and flow, IMO helps get the sound in your head; and as such helps figure out what to do with bow. BTW, it is common to initially listen, and miss or misinterpret some of the detail; then later, with more experience go back and hear in a different way, or more subtle detail.
Part of what those instructions are trying to do is guide you to what to listen for, that many folks might initially miss.
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He could be an up bow fiddler. Some use up bow routinely where the down bow would occur in many fiddlers' techniques. A classic example is Georgia Shuffle the way Bluegrass fiddlers do it- the accented downstroke on the backbeat gives the same amount of bow travel as the three unaccented notes on the 3 note upbow slur. Also, David Bragger uses patterns, according to his own words. Because patterns are predictable, they give you a predicable way to practice additonal bowing techniques like bow rocking.ftwyfz.com/wp-content/plugins/acunetix
Syncopated Shuffle - Duke Ellington | Song Info | AllMusic
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Concert preview Jeremy Denk 7: Most Read Entertainment Stories 'Unbroken: Thomas May writes about the arts for a wide variety of publications. No personal attacks or insults, no hate speech, no profanity. Please keep the conversation civil and help us moderate this thread by reporting any abuse. In any triple rhythm, the step between the beats creates more energy going into the full beat.
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So, our normal triple has a natural accent on the upbeat. The same principle applies in our syncopated triple: The next time you go social dancing, watch the dance floor during a club-style song.
Because many club songs accent the downbeat as much as the upbeat, dancers are syncopating their triples to hit that accent as an unconscious habit.
Related Syncopated Shuffle
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